Alita Battle Angel

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Abandoned cyborg Alita (Salazar) is found in the scrapyard of Iron City by cyber-doctor Ido (Waltz), who takes her to his clinic. With no memory, Alita must adapt herself to this big bad dystopian world. As she learns to navigate her new life, Ido tries to shield Alita from her mysterious past.

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After accidently discovering her real powers, Alita sets out on a journey that makes her take on the .. Genre films face a chronic problem: they have to introduce viewers to new worlds quickly and efficiently. There’s often so much lingo and history to lay out that writers have to choose between clumsy information dumps, or leaving their setting unexplained for long stretches, so they can get to the action.

By the time a film’s original science fiction or fantasy setting starts feeling familiar, it’s about time for the credits to roll. That’s one of the many reasons studios find it so irresistible to turn these titles into franchises. By the second outing, the groundwork has already been laid, and the writers can hit the ground running. The challenge is producing a first film that’s worthy of a sequel.

Alita: Battle Angel, based on Yukito Kishiro’s 1990s manga series Battle Angel Alita, is a triumph of worldbuilding and a failure of storytelling. The film is set in a distant future following a devastating war that leveled all but one of Earth’s great floating cities. That last survivor, Zalem, is fueled by the factories of Iron City, and the humans and cyborgs who live in Zalem’s shadow literally feed off its scraps while dreaming of a better life above.

Scrounging for spare parts amid the trash Zalem dumps down to Earth, the kindly cybernetics genius Dr. Dyson Ido (Christoph Waltz) discovers a cyborg girl who’s still alive, and repairs and adopts her.The amnesiac Alita (Rosa Salazar) progresses from wonderstruck child to moody teenager over the course of days, rebelling from Ido’s fatherly protectiveness to spend time with her generic “criminal with a heart of gold” boyfriend Hugo (Keean Johnson).

Alita has a particularly good reason for thrill-seeking, as a battle against the cyborg equivalent of Jack the Ripper triggers some memories of her past life, and convinces her that more violent conflict might reveal more information. Like a video game hero, Alita progresses through the film, earning gear upgrades and memories of extremely lethal martial arts that allow her to take on increasingly more powerful threats.The cliché game plot isn’t helped by the film’s cartoonishly evil villains.

Jennifer Connelly plays Chiren, Ido’s haughty, morally compromised ex and fellow cybersurgeon. She stands out from the grittier denizens of Iron City, with her fine clothes and a forehead gem which looks distractingly like a BIM mark from the trash classic The Apple. Grewishka (Jackie Earle Haley), the hulking murderous cyborg hunting Alita for much of the film, at one point literally kills a dog just to show how irredeemably evil he is. Moonlight’s Mahershala Ali fares a bit better, by virtue of a plot quirk that has him alternately playing sports mogul Vector, and Zalem’s maniacal ruler Nova. But his acting talents are largely wasted on the clunky script, written by James Cameron and Laeta Kalogridis.

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